TETRACTYS NEW MUSIC COMMISSIONS

2024
Prayers, for viola & fixed media
composed by Alex Molina Shawver (Golden Hornet)

Shapes Make Shapes & Fjord Explorer, for percussion quartet
composed by The Kraken Quartet - Chris Demetriou, Andrew Dobos, Taylor Eddinger, & Charlie Kessenich

Life of a Tree, for string orchestra
composed by Karl Mitze (Austin Unconducted)

Stop Hitting Yourself
music composed by Peter Stopschinski, libretto by Rude Mechs (LOLA)

Passing A Certain Gate
composed by Hunter Preuger (Density512)

Godric & His Demons
composed by James Tecuatl-Lee (Inversion Ensemble)

Ecology of Disruption, for percussion trio, electronics, and video projection
composed by Jason Thorpe-Buchanan (Line Upon Line Percussion)

HALFBIRD, for two violins & electronics
composed by Michael Zapruder (Tetractys New Music)

Watermelon, for SATB choir
music composed by Sophie Mathieu, text by Zach Matteson (Panoramic Voices)

Brünnhilde in the Flames, Musetta’s Lost Scena, & Queen of the Morning After
composed by Graham Yates, Carol Brown, & Ben Tibbetts (One Ounce Opera)

Mga Tunog ng Maynila Sakay ang Isang Dyip, for saxophone, trumpet, vibraphone, and percussion
composed by Benjamin Dia (Kenken Gorder & Friends)

Invisible Women: Push for 3 sopranos, 2 mezzo-sopranos & percussion
composed by Russell Podgorsek (VAMP)

2023
Chance Chants
composed by Nathan Felix

Chronology Protection Conjecture:
1. If time travel were possible, where are all the people from the future?
2. Closed Time-like Curve
3. Closest Continuer
composed by Thomas Echols

Meta Anthem, for mezzo-soprano, baritone, and piano
composed by Christopher Prosser (Tetractys New Music)

you go, I follow, for viola and fixed media
composed by Kennedy Taylor Dixon (Golden Hornet)

iridescence, for flute, clarinet, percussion, violin, and cello
composed by Sophie Mathieu (Density512)

Murder Ballads, Vol. 2. Part I: Epitaph for an Old Woman; Part II: Walk of Death
composed by Brent Fariss & Andrew DiRemiggio Stoltz (Goliath Was Bigfoot)

Smile
composed by Laura Mercado-Wright (VAMP)

Undine Speaks
music composed by Keith Allegretti, libretto by Amy Herman (LOLA)

Ghost Almanack
composed by Justin Sherburn (Montopolis)

loup-garou
composed by Brent Baldwin (Convergence)

Radar
composed by Karl Mitze (Invoke)

2022
Apennine, for violin and viola (andPlay)
composed by James Parker

2021
The Colour of Home
created by Chris O’Leary, percussion, Niokabi Kariuki, composer, & Gabriella Segovia-Breaux, videographer

losing it’s name a river enters the sea
created by Duo Charango (Jamie Monk & Ciyadh Wells), guitars, Andres Guadarrama, composer, & Menthas Chantawongs, videographer

Phonic Cycles
created by Sarah Hetrick, saxophone, James Creed, composer, & Virginia Lee Montgomery, videographer

2020
Bonus Track, for bass clarinet and marimba (Transient Canvas)
composed by Christopher Prosser

2019
“…like a shadow that clings to my footsteps.”, for flute, clarinet, piano, violin, cello, vibraphone, and ASL soloists
music composed by Aaron Sanchez, text by Aila Heikkinen

Curiosity Cabinet
composed by Graham Reynolds

fovo komma
composed by Mack Hoxie

Above the Expanse, for clarinet, violin, and percussion
composed by Christopher Prosser

2018
Without Film
Scene 1 / Scene 2 / Scene 3 / Scene 4
composed by The Kraken Quartet - Sean Harvey, Chris Demetriou, Andrew Dobos, & Taylor Eddinger

2017
Polysong
composed by Michael Zapruder

Off the Wall for percussion quartet
composed by Chris Ozley

Hard Edges, Soft Glow for percussion quartet
composed by Corey Cunningham

Off the Wall for percussion quartet
composed by Christopher Prosser

Emerge
composed by Michael Mikulka

2016
Teaching us to be Human Again, for eight snare drums and electronics
composed by James Parker

Flavour Symmetries
composed by Russell Podgorsek

The Mind is Its Own Beautiful Prisoner
composed by Jon Fielder

Lady Wisdom and Solomon
composed by Elizabeth Comninellis

2015
Moro Lasso
composed by Alex Hepplemann